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Fender Amp Product Dating Mystery Solved
One has to wonder where all those factory original export back panels are! Paul Linden has volunteered to fill in for Greg. Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer. For the uniquely serialized models, the production estimates using my hypothesis, can be determined from the serial number tables. To make things more interesting, there were two versions of the 6G9 6BQ5 circuit. Thankfully, these aberrations are pretty rare. The bottom line is to do your homework or enlist the aid of an expert. For some reason, folks are willing to poke their head into tweed, blonde, brown and blackface amps, but not into silverface amps. Assuming they were all used sequentially and starting at , there would be around non-master volume silverface Twin Reverbs and Dual Showman Reverbs out there. Fender had a big transitional year for their amps in This was the first year for the blonde 6G9 Tremolux.
The Australian Fender Distributor then installed V - V stepdown transformers in the bottom of the cabinets. Yes, Fender went with a deliberate mismatch, not unlike the 3x10 brown Bandmasters that shipped with 8-ohm output transformers. Same with the little rectifier boards. Note the removal of the voltage selector switch and hard-wiring. Remember, this model shares a chassis with the narrow panel tweed Pro and Super. Paul Linden has volunteered to fill in for Greg. For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates. Greg was passionate about Fender amps and his knowledge, insight and humor will be missed very much. When we had filled our cart we'd wheel it over to the Chicano chicks. The chassis weren't used chronologically. Greg and I also disagree about determining production from serial numbers. Greg kept his illness very private, even from this author. The revisions were made based on data collected since the tables were initially published. For some reason, folks are willing to poke their head into tweed, blonde, brown and blackface amps, but not into silverface amps. Well, for the 4-digit serials affixed on a foil sticker, numbers as low as and has high as have been observed. Could it be the machine also got stuck on A, , , and ? First, a foil sticker containing a 4-digit serial number was affixed to the chassis over the A The bad news is that there is still a lot of work that needs to be done on the silverface amps. The bottom line is to do your homework or enlist the aid of an expert. The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. I think the better, older hands did 35 a day. One has to wonder where all those factory original export back panels are! Thankfully, these aberrations are pretty rare. But changes took place in as well. I think in the corners of the boxes were older pots remaining from earlier dates
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