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These cracks can allow moisture and dirt to penetrate the glaze and discolour the ware. A porous bodied earthenware with a lead glaze made opaque by the addition of tin oxide. Clay body A mixture of different types of clays and minerals for a specific ceramic purpose. Argyle A vessel for keeping gravy warm similar in shape to a coffee pot. Compress Pushing the clay down and together, forcing the particles of clay closer. Designs printed with outlines for intentional painting in with either over or under glaze enamel are not considered clobbered ware. Developed by Josiah Spode in the 's. British Royal Arms The British Royal Arms was used in the marks of some manufacturers including foreign companies and is useful in dating transfer ware. Dry-Foot To keep the foot or bottom of a pot free from glaze by waxing or removing the glaze. Chinoiserie Generic term used to describe wares using patterns with Chinese ornamental motifs, particularly those created by European artisans with little or no knowledge of Oriental art. It is turned by hand and used for finishing or decorating pottery Bat A flat disc made out of plaster, wood, or plastic which is affixed to the wheel head with clay or pins. The width and spacing of the lines was used to adjust the tone of the resulting colour.
FlatWare Table wares that are more or less flat, e. Agate Ware Earthenware made to look like agate by building up irregular layers of clays coloured white, brown, green and blue. This finishing is done by hand, using a stone or a metal piece which is usually embedded in a wad of wet clay that perfectly fits the burnisher's hand. Also called white glost or white ware. The pre mark has a inescutcheon or extra shield in the centre of the larger shield. Developed by Josiah Spode in the 's. Chuck A piece used to aid the potter in trimming. Glost ware A biscuit that has had a glaze applied. Composite Pots Pots that were thrown or hand built in separate pieces and then assembled. If fired faster or slower, the cones will mature at a different temperature and therefore show the 'work' done in contrast to the temperature reached. These cracks can allow moisture and dirt to penetrate the glaze and discolour the ware. It is usually glazed to render it impervious to liquids. Cross hatching An engraving technique where thin parallel lines where used to fill areas of a transfer ware pattern. Centering Technique to move the clay in to a symmetrical rotating axis in the middle of a wheel head so it can be thrown. A chuck is a form that can hold a pot upside-down above the wheel head while the potter trims it. Coil A piece of clay rolled like a rope, used in making pottery. The width and spacing of the lines was used to adjust the tone of the resulting colour. Characteristic was the decorative use of marine motifs. China Hard-paste porcelain plus bone-ash Calcium Phosphate. Frit A glaze material which is derived from flux and silica which are melted together and reground into a fine powder. Derby Factory established by William Duesbury. Today these wares are known as Chinese Export Porcelain. It is the result of the glaze shrinking more than the clay body in cooling process. Made from clays and silica compounds that when fired is porous and opaque. Banding Wheel A revolving wheelhead which sits on a pedestal base. Damper A slab of refractory clay that is used to close or partially close the flue of a kiln. Creamware Cream coloured earthenware introduced about that was greatly improved and made famous by Josiah Wedgwood's "Queensware".
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