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Larger halls required ensembles acoustically suited to the expanded performing areas. Many musicians depend heavily on intuition in solving performance problems. Of particular importance is a string quartet consisting of two violins, viola, and cello. At first it reproduced natural sounds by electronic means; later, composers and technicians began to invent electronic sounds and to discover new sound relationships. This is partly the result of certain consistent emphases and features in the music written by composers of different nationalities. The power of music to compel attention and to stir emotions lends to the solo performer an especially fascinating aura. With the rise of the middle class and its aspirations for culture , music as an art required performing situations that would accommodate more people. It entails much more than a single performer or group of performers, their instruments, and a hall in which to play. Performers as interpreters operate within a range of limitations imposed upon them by their understanding of the printed page, whatever knowledge may be available concerning the tradition that surrounds the music at hand, and the extent to which their personal tastes coincide with this information. Amateur improvisation figured importantly in its early history. Performance may be vocal , instrumental, or electronic. The United States , younger and more heterogeneous , has had a shorter musical history but an abundance of great symphony orchestras and solo artists, who are in demand because of their precise execution, versatility, and breadth of repertoire. Because composers for so many centuries were in a position to supervise the performances of their music, certain aspects of performance were not notated.
This leader is called a conductor. The type of performing situation at the opposite end of the spectrum is one directed to securing audience attention and affection. This is partly the result of certain consistent emphases and features in the music written by composers of different nationalities. The leader of most small ensembles is one of the performers, the first violinist, a keyboard player, or one of the singers who indicates tempi, entrances, and musical character and supervises rehearsals. The musical pleasure of such people rests solely on performing, either alone or with other musicians. Performance may be vocal , instrumental, or electronic. This is the domain of the virtuoso, that musical performing phenomenon of prodigious technical mastery, invention, and charisma. Performers as interpreters operate within a range of limitations imposed upon them by their understanding of the printed page, whatever knowledge may be available concerning the tradition that surrounds the music at hand, and the extent to which their personal tastes coincide with this information. They analyze thoroughly the scores they perform, comparing manuscript facsimiles and various printed editions, and attempt to discover new musical relationships, new ways of delineating these relationships in performance, and, in short, new ideas as to how the music might best be played and how it should sound. Each element informs and completes the other. Vocal performance is the oldest and the primary influence for the development of all subsequent musical gestures and materials. Intellect is the means whereby musicians enlarge the range of their instincts through the pursuit of new information, reflection, and analysis of the musical material at hand. For music of certain periods, even though their notational systems are incomplete and give few indications of how the music should sound beyond pitch and rhythm, musical scholarship has amassed much information concerning proper instrumentation , ornamentation , improvisation , and other traditional performing practices that determine to a large degree the sound and stylistic character of the music. Page 1 of 5. In any case, performers as interpreters speak to and with the tastes of their own time. Ensemble performance places a special responsibility on the concentration of the individual performers, who must attend not only to their own playing but also to that of all the others in the ensemble. Intuition and intellect figure prominently in the temperament of a musical performer. The rich folklorist traditions of Spain, Hungary, and Russia have influenced rhythm, melody, and sonority in Western musical performing traditions. Dating from the 18th century, this instrumental ensemble is analogous to the vocal ensemble consisting of soprano, alto, tenor, and bass. Amateur improvisation figured importantly in its early history. Electronic music was a 20th-century development involving the reproduction of traditional performance mediums through electronic means, while it also evolved composition and performance of its own. All aspects of the performance depend on this mutual awareness. The primary result of this development was the symphony orchestra with its multiple stringed, wind, brass, and percussion instruments. Mediums of performance The mediums for musical performance are extraordinarily various. Artistic temperament Many forces interact in developing those traits that distinguish various performing traditions and individual performers.
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