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She is so feeble, so inappropriate. Why shouldn't movies show that? As her sickness advances and his inventor father John Turturro grows increasingly distant, the boy is sent to live with his two eccentric uncles Maury Chaykin and Michael Richards. As Theresa Dunn, Keaton dominates this raunchy, risky, violent dramatization of Judith Rossner's novel about a schoolteacher who cruises singles bars. Keaton commented about the situation in Ladies' Home Journal: She played many eccentric characters in several of his comic and dramatic films, including Sleeper , Love and Death , Interiors , Manhattan , and the film version of Play It Again, Sam , directed by Herbert Ross. Director Nancy Meyers has claimed "Diane's the most self-deprecating person alive. Her acting was later summed up by CNN as "awkward, self-deprecating, speaking in endearing little whirlwinds of semi-logic",  and by Allen as a "nervous breakdown in slow motion. Heaven met with mixed critical reaction, with The New York Times likening it to "a conceit imposed on its subjects. As opposed to going it on my own and forging my path to create a wonderful performance without the help of anyone. Nicholson and Keaton, aged 63 and 56 respectively, were seen as bold casting choices for leads in a romantic comedy.
Look for the only woman in sight dressed in a turtleneck on a degree afternoon in Pasadena. The movie, adapted from Franz Lidz 's memoir, starred Nathan Watt as a boy in s whose mother Andie MacDowell becomes ill with cancer. She starred with Goldie Hawn and Bette Midler as a trio of "first wives": As opposed to going it on my own and forging my path to create a wonderful performance without the help of anyone. Keaton said that the biggest challenge of the role was understanding the mentality of a person with terminal illness. But when I read the script, the character seemed much more substantial than in the first movie. Of her role choices and avoidance of becoming typecast , she said: In , she began recording tracks for a solo album, but the finished record never materialized. Soffel , a film based on the true story of a repressed prison warden's wife who falls in love with a convicted murderer and arranges for his escape. Men are presumed to be interesting. The genius of Annie is that despite her loopy backhand, awful driving, and nervous tics, she's also a complicated, intelligent woman. Nicholson and Keaton, aged 63 and 56 respectively, were seen as bold casting choices for leads in a romantic comedy. She shifted to more mature roles, frequently playing matriarchs of middle-class families. In a geographic switch, Keaton shifted the story's setting from the New York of Lidz's book to the Southern California of her own childhood. Keaton brilliantly displays this dichotomy of her character, especially when she yammers away on a first date with Alvy Woody Allen while the subtitle reads, 'He probably thinks I'm a yoyo. Her acting was later summed up by CNN as "awkward, self-deprecating, speaking in endearing little whirlwinds of semi-logic",  and by Allen as a "nervous breakdown in slow motion. Beatty cast Keaton after seeing her in Annie Hall, as he wanted to bring her natural nervousness and insecure attitude to the role. The production of Reds was delayed several times following its conception in , and Keaton almost left the project when she believed it would never be produced. A profile in the San Francisco Chronicle described her as "easy to find. Meryl Streep played her estranged sister Lee, and had also initially been considered for the role of Bessie. She is so feeble, so inappropriate. Like her character in Annie Hall, Keaton had long relished photography as a favorite hobby, an interest she picked up as a teenager from her mother. A small amount of the clothing seen in the film came from Keaton herself, who was already known for her tomboyish clothing style years before Annie Hall, and Ruth Morley designed the movie's costumes. Los Angeles" pageant for homemakers; Keaton has said that the theatricality of the event inspired her first impulse to be an actress, and led to her wanting to work on stage. Women are presumed to be dull. Keaton reprised her role four years later in the sequel, as a woman who becomes pregnant in middle age at the same time as her daughter. The film was a financial disappointment according to Keaton, the film was "a Big Failure.
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