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This exercise teaches the correct placement of the tongue-tip for the 5 Italian vowels. Again you will feel something cap the breath resulting in the healthy closure of the vocal folds. For example, when the vowel lacks proper pharyngeal space and the larynx is slightly high in the middle voice, the vocal cords cannot approximate properly, making it impossible to phonate correctly in the high range. Remember the previously discussed tongue-tip training. An incorrect U vowel often creates a bunched back of the tongue. Most singers of other vocal fachs need a certain amount of relaxation of the stretch as they approach the middle register in order to keep the ring factor in the voice. Working with the laryngeal pivot also assists a singer in achieving pharyngeal vowels instead of just mouth vowels. Listen with specific questions in mind, i. Vocal Traps of the Contralto Singer There are vocal traps for the Contralto singer just as there are for other vocal types. Perfect Onset or Vocal Cord Approximation: There are almost as many types of voices in a single vocal fach as there are individual singers. This driving of breath pressure disturbs the healthy adduction of the vocal folds. If the thin edges are not employed, the singer pushes more air pressure through the vocal folds than is necessary, which cuts the high range by driving the larynx up in a higher position. After achieving the exercise above, stay on the upper note and sing the 5 Italian vowels, keeping the depth of the larynx. Typically, the basic elements that define vocal fach are 1 timbre, 2 individual color, 3 specific tessitura, and 4 personality or temperament. Some vocal professionals may find it difficult to determine whether or not a singer is a true Contralto. This can be accomplished using a hum with the tongue between the lips.
This driving of breath pressure disturbs the healthy adduction of the vocal folds. A dedicated vocal instructor works toward assessing and balancing these factors, which leads to making a careful diagnosis of vocal category. Besides the disturbance of proper vocal cord closure, another negative result of too much breath pressure can be a fast or uneven vibrato. The following section of this article offers concepts that may assist in achieving healthy vocalization and assist the professional instructor in determining correct vocal fach. F-4 to A-flat-5 Head Register: A complete understanding of the middle register is the platform for the high range. The thin edge function is critical in balancing registration for all voice types. If the cords do not come together appropriately after inhalation, then the singer has no choice but to push air through the cords, making healthy access to the upper range impossible. One factor in achieving register balance is accomplished by training the thin edges of the vocal folds in the middle and chest registers, and is especially important in the higher chest register. However, many Contralto singers become frustrated after years of study because they have not been placed in the correct vocal fach. The following list describes the correct placement of the tongue-tip for correct vowel production. Then using hardly any breath, create 3 small cough reflexes. This exercise teaches the correct placement of the tongue-tip for the 5 Italian vowels. It is quite easy to find examples on the Internet, but remember to listen without imitating the sound of any given singer. This can raise the laryngeal position. Tongue pressure caused by coloring the voice artificially. MOST Contraltos and often Mezzos as well create a false color, often by bunching the root of the tongue. The result was consistent vocal fatigue and very little resonance in the voice. The cough reflex lowers the larynxgeal position automatically. False color with the back of the tongue can be corrected by using the correct placement of the tongue-tip as discussed in the previous section of this article in conjunction with an awareness of width at the root of the tongue. Again produce 3 small cough reflexes under the cords using hardly any breath. Feel the base of the larynx and you will find that the larynx pivots and tilts slightly forward and down as the pitch ascends. A free high range is dependent upon the open pharynx in the middle voice and chest voice registers, especially for the Contralto. Working the thin edge function in the upper chest register is critical to registration balance, especially in considering proper alignment of the lower passaggio. The Contralto is no exception and the laryngeal pivotserves to build a stronger vocal fold approximation in the middle register.
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